Partners in Suspense

Critical Essays on Bernard Herrmann and Alfred Hitchcock

Steven Rawle, Kevin Donnelly

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English

Manchester Univ. Press
17 May 2019

Film, TV & Radio; Individual film directors, film-makers; Individual composers & musicians, bands & groups

This volume of spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, providing new perspectives on their collaboration. Featuring chapters by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the collection examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom.

Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the essays explore approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films, examining the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the book explores the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways in which such partnerships inspire later work. -- .

Edited by: Steven Rawle, Kevin Donnelly
Imprint: Manchester Univ. Press
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm, Spine: 13mm
Weight: 345g
ISBN: 9781526139528
ISBN 10: 1526139529
Pages: 240
Publication Date: 17 May 2019
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

Steven Rawle is Associate Professor in Film and Media at York St John University K. J. Donnelly is Professor of Film and Film Music at the University of Southampton -- .

Reviews for Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock

‘As well as the intrinsic interest of the subject-matter, the book is indispensable on account of the quality of the contributors and their contributions. Some of the leading scholars of Hitchcock and Herrmann studies have been assembled for this volume, with the result that the text is not only authoritative but brimming with recent discovery. It is a book at the cutting-edge of current research on film authorship and a re-consideration of the relationship between image and soundtrack.’ Neil Sinyard, Emeritus Professor of Film Studies, University of Hull -- .