Leaving Biddle City

"""In playful and lyrical leaps, the poems turn like pages in a photo album. Marianne Chan's speaker meditates on the meaning of what it means to be 'Mid-Western' in conjunction with what it means to be 'Filipina, ' and through examinations within the prose poem's metaphorical boxiness and in dialogue with the speaker's community, the poems soar into ecstatic remembrances. What persists in this remarkable collection are important questions about the choices we make for love, and Chan's beautiful writing will persist as thoroughly as the poured concrete of foundations inscribed with names of family."" --Oliver de la Paz, author of The Diaspora Sonnets ""Marianne Chan's Leaving Biddle City proposes a rare and unflinching poetics of immigrant suburban life, inventively evocative of both the monotony and wild audacity of a demographic of experience that is at once mundane and vital, hidden and clambering for utterance. Chan offers a surprising and brilliant kind of anti-poetry, observing how 'All things beautiful. Become insufferable, ' yet herein lies its power as an ode to the unglamorous inhabitants of an unglamorous city, that is, as an act of disruption to the mythical origin story, one full of failures--and also love. With pointed honesty and refreshing humor, these poems are for the ones who came here, 'found they'd been scammed, ' and 'decided to build their houses anyway.'"" --Jennifer S. Cheng, author of House A ""Marianne Chan's poems in Leaving Biddle Cityare ghostly, ghosts, and ghost-like. Even the language repeats and circulates within their forms, but without the frames of their forms. 'What is place without place? What is memory without memory?, ' these skilled and beautiful poems seem to ask."" --Victoria Chang, author of The Trees Witness Everything"