Caroline Walker Bynum is professor emerita of medieval European history at the Institute for Advanced Study and University Professor Emerita at Columbia University. She studies the religious ideas and practices of the European Middle Ages from late antiquity to the sixteenth century. In the 1980s, she worked on women's spirituality in Europe; in the 1990s, she turned to the history of the body. Her recent work, Wonderful Blood (2007) and Christian Materiality (2011), locates the upsurge of new forms of art and devotion in the fourteenth and fifteenth centuries against the background of changes in natural philosophy and theology and reinterprets the nature of Christianity on the eve of the reformations of the sixteenth century. Her essays ""In Praise of Fragments"" (in Fragmentation and Redemption), ""Why All the Fuss About the Body?"" (in Critical Inquiry and reprinted in The Resurrection of the Body, expanded edition, 2017), and ""Wonder"" (in Metamorphosis and Identity) are widely cited as discussions of historical method. Bynum has taught at Harvard, the University of Washington in Seattle, and Columbia University. She was a MacArthur Fellow from 1986 to 1991 and has won the Ralph Waldo Emerson Prize of Phi Beta Kappa, the Jacques Barzun Prize of the American Philosophical Society, the Grndler Prize in Medieval Studies, and the Haskins Medal of the Medieval Academy of America. She has won three undergraduate teaching awards, one from the University of Washington and two from Columbia University. She is a past president of the Medieval Academy of America and the American Historical Association, a member of the American Academy of Arts and Sciences, the American Philosophical Society, and the Orden Pour le Mrite fr Wissenschaften und Knste of the Federal Republic of Germany, and a Fellow of the Medieval Academy of America and the British Academy.
Dissimilar Similitudes glides through history and iconography, revisiting the assumptions of scholars and decoding the intricate meanings of holy objects. Its probing essays are original, revisionist interpretations that illuminate avenues for further study. ---Rachel Jagareski, Foreword Reviews Bynum's latest addition to the study of medieval devotional objects compels us to see holy things anew. ---Wei-Cheng Lin, Speculum