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Reparations Now!

Ashley M. Jones

$27.99

Paperback

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English
Hub City Press
04 January 2022
Ashley M. Jones is the receipent of a Rona Jaffe Award, a finalist for the Ruth Lily Dorothy Sargent Rosenberg Fellowship, a National Poetry Seris finalist, the winner of the 2018Lena-Miles Wever Todd Prize for Poetry from Pleiades Press, and the 2019 winner of the Lucille Clifton Legacy Award. She is the founding director of theMagic City Poetry Festival, board member of theAlabama Writers Cooperativeand theAlabama Writers Forum,co-director ofPEN Birmingham, and a faculty member in the Creative Writing Department of theAlabama School of Fine Arts.

She is currently serving as a guest editor forPoetry Magazine. Blurbs forthcoming from Patricia Smith and HanifAbdurraqib
By:  
Imprint:   Hub City Press
Country of Publication:   United States
Dimensions:   Height: 228mm,  Width: 165mm, 
ISBN:   9781938235863
ISBN 10:   193823586X
Pages:   80
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Ashley M. Jones is the 2022-2026 Poet Laureate for the state of Alabama. She holds an MFA in Poetry from Florida International University, and she is the author of Magic City Gospel and dark / / thing. Her poetry has earned several awards, including the Rona Jaffe Foundation Writers Award, the Silver Medal in the Independent Publishers Book Awards, the Lena-Miles Wever Todd Prize for Poetry, a Literature Fellowship from the Alabama State Council on the Arts, the Lucille Clifton Poetry Prize, and the Lucille Clifton Legacy Award. She was a finalist for the Ruth Lily Dorothy Sargent Rosenberg Fellowship in 2020. Her poems and essays appear in or are forthcoming at CNN, POETRY, The Oxford American, Origins Journal, The Quarry by Split This Rock, Obsidian, and many others. She teaches at the Alabama School of Fine Arts, she co-directs PEN Birmingham, and she is the founding director of the Magic City Poetry Festival.

Reviews for Reparations Now!

In a book that is balancing history, trauma, rage, and joy as brilliantly as Reparations Now! is, there must be something beyond language that grips and holds a reader in place. For this, I am thankful for the generosity of this book, how the poems are shaped, how they challenge the eye as well as the ear, with rich payoffs at the end. I am thankful for the population of this book -- how it bursts with ancestors and homages, places rendered so stunningly that they are present and touchable. What a massive undertaking, and what an achievement. --Hanif Abdurraqib, author of A Fortune For Your Disaster In a book that is balancing history, trauma, rage, and joy as brilliantly as Reparations Now! is, there must be something beyond language that grips and holds a reader in place. For this, I am thankful for the generosity of this book, how the poems are shaped, how they challenge the eye as well as the ear, with rich payoffs at the end. I am thankful for the population of this book -- how it bursts with ancestors and homages, places rendered so stunningly that they are present and touchable. What a massive undertaking, and what an achievement. - Hanif Abdurraqib, author of A Fortune For Your Disaster Our present day, as well as the days at our backs, are stunned by their own particular sorrow. There is much lamentation to disorder the air. There are legions of hushed black bodies. There is that numbing loneliness, the taciturn breaking of hearts in the midst of chaos. But there is also, always, James Brown's unearthly squeal, his miraculous camelwalk. There is a mother's blaze-warm voice on the line from home. There is God in a father's hands, in Mahalia's reverent wail, in a sunlit home. Here in these pages of unerring witness, the poet reckons with a seemingly ceaseless grief while acknowledging the light that keeps us facing forward--the fact that being beautiful and black does not require a revolution. --Patricia Smith, author of Incendiary Art, Finalist for the Pulitzer Prize Sister Ashley's words continue us on the holy meditation begun in the 1960s about what it means to be human, and I say amen. Awoman. Amen. Awoman. Amen. A womannnnnnnnnnnn. --Sonia Sanchez (about dark // thing) Ashley M. Jones' is exact and exacting. Her intention is to name--and she does so in a way that renders into beauty all that is harsh about the American South. This is a poetry book that knows how to be a history book, a religious text, a book of redemption. --Jericho Brown, author of The New Testament (about Magic City Gospel) Ashley Jones lays Alabama bare, wide, beautiful, terrifying and familiar in this wonderful collection thick with where form, history, and even the wind are all rendered blackly and masterfully. Jones' poems are alive with ghost and kin, God and Black girls, and all are sung, SANG really, under her capable hand. The red dirt is smeared all over this book, where we get to see Sammie Davis Jr. sing for Mike Brown & the Virgin Mary painted Black and Southern. Let Jones show you her land and her people, let me drive you across roads and time and show you what Alabama is about. --Danez Smith, Author of [insert] boy (about Magic City Gospel)


  • Short-listed for Ruth Lily Dorothy Sargent Rosenberg Fellowship 2020 (United States)
  • Winner of Lucille Clifton Poetry Prize 2018 (United States)
  • Winner of Rona Jaffe Foundation Writers Award 2017 (United States)

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