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To Keep Love Blurry

Craig Morgan Teicher

$37.95

Paperback

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English
BOA Editions, Limited
30 October 2012
""The brilliance of these poems is how they renovate not only poetry but language, without pretense, without the declaration of war, without summoning the ghost of Shakespeare in any but the most charming ways. I could live in the mind of these poems and never want to leave."" --D.A. Powell

""With these refreshingly human, formal, playful, and heart-wrenching poems, Teicher not only proves that form may be adapted to fit a contemporary idiom, but that he's built his own 'Life Studies' within the confessional tradition, one which pushes against his predecessors' self-aware and often selfish use of confession, successfully re-enervating the sense of a real life behind the voice."" --The Rumpus

One of Coldfront's Top Ten Poetry Books of 2012, To Keep Love Blurry, ""open[s] a world of poems that ask obsessive questions of choice and consequence. These are poems of an interior that reimagines the past, pays tribute to predecessors, and above all, values frankness above artifice...

The poems are severe in their honesty, which makes them riveting."" --Coldfront

To Keep Love Blurry is about the charged and troubled spaces between intimately connected people: husbands and wives, parents and children, writers and readers. These poems include sonnets, villanelles, and long poems, as well as two poetic prose pieces, tracing how a son becomes a husband and then a father. Robert Lowell is a constant figure throughout the book, which borrows its four-part structure from that poet's seminal Life Studies.

Craig Morgan Teicher won the Colorado Prize for Poetry. He is poetry reviews editor for Publishers Weekly magazine and served as vice president on the board of the National Book Critics Circle.
By:  
Imprint:   BOA Editions, Limited
Country of Publication:   United States
Volume:   135.00
Dimensions:   Height: 228mm,  Width: 152mm,  Spine: 10mm
Weight:   184g
ISBN:   9781934414934
ISBN 10:   193441493X
Series:   American Poets Continuum
Pages:   110
Publication Date:  
Audience:   General/trade ,  ELT Advanced ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active
Book One: Life Studies Part One The Prince of Rivers Father Mother Confession It Came from the Primordial Ooze Action Reaction Variations on the Moment of Apprehending the Extent of One’s Responsibility Motherhood Anger Part Two On His Bed and No Longer Among the Living Part Three To An Editor Who Said I Repeat Myself and Tell Too Much Get Out “Sometimes We Sleep Well In the Midst of Terrible Grief My Mom, D. 1994 Quatrain Until Dawn Part Four: To Keep Love Blurry (Life Studies) I. Goodbye Girls Late Poem Narcissus and Me Smoking Friendship Other Women Masturbation Jazz The Middle Generation Money Time Layoff Lines in the Rain II. The Meantime The Darkness Echoing Home Fame The Past Ahead Like An Answer, Yes Book Two: A Celebration Beginnings for An Essay In Spite of Itself Grief: A Celebration Notes Acknowledgements

Craig Morgan Teicher is the author of Brenda Is in the Room and Other Poems, selected by Paul Hoover for the 2007 Colorado Prize for Poetry, and Cradle Book, named a Notable Book of 2010 by the Story Prize committee. His poems have appeared in the Best American Poetry, The New Yorker, The Nation, The Paris Review and many other publications. He is Director of Digital Operations and Poetry Reviews Editor for Publishers Weekly magazine and served as a Vice President on the board of the National Book Critics Circle from 2009-2012. His book reviews, features and prose pieces appear widely in many venues, including NPR, Bookforum, Slate, and the Cleveland Plain Dealer. He was founding editor of the MediaBistro blog eBookNewser and is written extensively about digital publishing. He also teaches graduate and undergraduate creative writing courses and NYU and the New School and received his MFA from Columbia University.

Reviews for To Keep Love Blurry

<br> Although the persona in these poems toys with annihilation and (twice) with 'dull blades, ' it survives, and does so through aesthetic will: tight sonnets, a perfect villanelle, a moving prose memoir. 'True self-haters, ' writes the poet in 'Confession, ' 'perform to empty houses, late.' That won't be Teicher's fate. -- Publishers Weekly


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