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Completing the Circle

Anne Stevenson

$39.95

Paperback

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English
Bloodaxe Books Ltd
07 July 2020
Anne Stevenson's Completing the Circle is a swansong collection of moving elegies and celebrations written in her 80s during the early decades of what she calls in her preface, 'a newly transformed, already terrifying century'. Most of these poems look back on her past from 'the viewpoint of a bewildered survivor facing up to the realities of time passing and beloved contemporaries dying'. In common with much of her work

and fittingly for this wide-ranging book of remembrance

she manages to maintain a tone that is serious without being funereal, acquiescent without indulging in confessional despair, keeping personal self-pity at bay with a characteristic detachment that can quietly slip into wit. The title-poem, while it owes a debt to Rilke, essentially expresses the poet's own long-considered belief that 'death naturally and rightly completes the cycle we recognise and accept as life'. Completing the Circle is Anne Stevenson's 16th collection, her third since her much praised Bloodaxe retrospective Poems 1955-2005. It follows two other late collections, Stone Milk (2007) and Astonishment (2012).
By:  
Imprint:   Bloodaxe Books Ltd
Country of Publication:   United Kingdom
Dimensions:   Height: 216mm,  Width: 138mm, 
ISBN:   9781780374987
ISBN 10:   1780374984
Pages:   80
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Anne Stevenson was born in Cambridge, England, in 1933, of American parents, and grew up in New England and Michigan. She studied music, European literature and history at the University of Michigan, returning later to read English and publishing the first critical study of Elizabeth Bishop. After several transatlantic switches, she settled in Britain in 1964, and has since lived in Cambridge, Scotland, Oxford, the Welsh Borders and latterly in North Wales and Durham. She has held many literary fellowships, and was the inaugural winner of Britain's biggest literary prize, the Northern Rock Foundation Writer's Award, in 2002. In 2007 she was awarded three major prizes in her native USA: the $200,000 Lannan Lifetime Achievement Award for Poetry by the Lannan Foundation of Santa Fe, a Neglected Masters Award from the Poetry Foundation of Chicago and The Aiken Taylor Award in Modern American Poetry from The Sewanee Review in Tennessee. In 2008, The Library of America published Anne Stevenson: Selected Poems, edited by Andrew Motion, in conjunction with the Neglected Masters Award. This series is exclusively devoted to the greatest figures in American literature. As well as her numerous collections of poetry, Anne Stevenson has published a biography of Sylvia Plath (1989), a book of essays, Between the Iceberg and the Ship (1998), and two critical studies of Elizabeth Bishop's work, most recently Five Looks at Elizabeth Bishop (Bloodaxe Books, 2006). Her latest poetry books are Poems 1955-2005 (2005), Stone Milk (2007), Astonishment (2012) and Completing the Circle (2020), all from Bloodaxe. In 2016 she gave the Newcastle/Bloodaxe Poetry Lectures, published by Bloodaxe in 2017 as About Poems and how poems are not about.

Reviews for Completing the Circle

While Anne Stevenson is most certainly, and rightly, regarded as one of the major poets of our period, it has never been by virtue of this or that much anthologised poem, but by the work or mind as a whole. It is not so much a matter of the odd lightning-struck tree as of an entire landscape, and that landscape is always humane, intelligent and sane, composed of both natural and rational elements, and amply furnished with patches of wit and fury, which only serve to bring out the humanity. -- George Szirtes * London Magazine * One of the most important poets active in England today… she presents us with a complex reality where an intently sensory world inhabited by wilful resistant people is overlaid by ghosts, ideas, and spectral emissions: the historical, philosophical, and scientific – all dimensions of what obviously isn’t there and yet can’t be denied. -- Emily Grosholz * Michigan Quarterly *


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