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I Don't Want to Know Anyone Too Well

Collected Stories

Norman Levine

$46.95

Paperback

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English
Biblioasis
09 January 2018
""Levine is a true artist, who grinds his bones-and anything else he can get his hands on-to make his bread."" -The Sunday Times

Reminiscent of Bernard Malamud and Cynthia Ozick, Norman Levine's short fiction was largely ignored in his lifetime. Yet they remain some of the most skillfully-crafted and moving works of the last half of the twentieth century. Taken together, these stories make a convincing argument for Levine's mastery, and as a writer in need of urgent rediscovery.
By:  
Imprint:   Biblioasis
Country of Publication:   Canada
Dimensions:   Height: 209mm,  Width: 133mm, 
ISBN:   9781771960885
ISBN 10:   1771960884
Pages:   580
Publication Date:  
Audience:   General/trade ,  ELT Advanced ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Norman Levine (1923-2005) was the author of eight short story collections, two novels, and a memoir, among other works. He was raised in Ottawa's Lower Town, served overseas in the RCAF during WWII, and attended McGill University. In 1949 he returned to England, where he remained until 1980. In 1956 he undertook a three-month cross-country journey through Canada, which furnished him with material for his controversial memoir and commentary upon Canadian life, Canada Made Me (1958). Levine's fiction titles include The Angled Road (1952), One Way Ticket (1961), I Don't Want to Know Anyone Too Well (1971), Thin Ice (1979) and Something Happened Here (1991).

Reviews for I Don't Want to Know Anyone Too Well: Collected Stories

Praise for Norman Levine If Levine lacks for a Canadian readership, it could be in part because there is no definitive, breakout collection of his stories...that might change with I Don't Want to Know Anyone Too Well. ... If great writing has a mark, surely this is it. --Andre Forget, The Walrus emblematic of our national literature ... [his] protagonists are forever curious about another class, another generation, another place or culture; about alternative choices that might have resulted in different outcomes ... masterful prose. --Quill & Quire Reading Levine, this most painterly of Canadian writers, is a bit like his examining that Monet. Up close, the stories seem simple, almost anecdotal. At a remove, Levine's technique, and his themes of exile and loss, of hope and disappointment, of deep empathy for one's fellows come clearly into focus. --Toronto Star I Don't Want to Know Anyone Too Well is a delightfully contradictory thing: a massive book by a minimalist of language. . . Absorb these stories as they first appeared, one at a time. Let one sit and steep before you move on to the next. They will stay with you. Welcome this collection into your home and place it on your shelf where it belongs: in among your Gallants, your Munros and, yes, your Chekhovs. Norman Levine deserves it and his time has come. --Ian McGillis, Montreal Gazette For me, Norman Levine's stories are about the fleeting and yet durable moments between strangers - or among family, who are another kind of unknown. ... He is a master at recording the intimate particulars of one person meeting another, at exploring the mystery of what stays in the mind when the other person has gone --Andre Alexis, author of Fifteen Dogs Levine's stories are made of things that stick, unexpectedly, in the imagination. --Globe and Mail Norman Levine stands at the very centre of achievement in Canadian short story writing. --John Metcalf Mr. Levine is a true artist, who grinds his bones--and anything else he can lay his hands on--to make his bread. --Bernard Levin, The Sunday Times One of the most moving, most sad, most deeply felt, savage and loving pieces of autobiography I've ever read. --BBC It is extraordinary that the most spare prose can contain such compassion. --London Daily Telegraph .. .a masterly touch. --Times Literary Supplement Levine's is a subtle, penetrating and quietly compassionate vision of many sad facets of the human condition: reduced expectations, confused identities, stunted family feeling, the quiet ravages of passing time assuaged by an equally quiet appreciation of what the moment has to offer. --The Montreal Gazette [Levine's] writing is distinctive for its visual clarity, for the Matisse-like simplicity of his images, a trait that owes much to his friendship with painters ... Peter Lanyon, Patrick Heron, and Francis Bacon. --The Ottawa Citizen A marvellous style. His stories are spare but there is so much hidden beneath the surface of them. --Robert Weaver


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