Lorien Suárez-Kanerva has exhibited her artwork in curated shows at museums, galleries, art expos, art fairs, cultural and educational centers, including: Curator’s Voice Art Projects (Miami, Florida,), Artists 101 and the Makeshift Museum (Los Angeles, California), Art Basel SCOPE (Switzerland and Miami,), Venice Bienale, GAA Foundation, Florida Atlantic University, Boca Raton Museum of Art, Palm Springs Art Museum, UC Berkeley’s Engineering Department. Suárez-Kanerva has a BA High Honors in History from UC Berkeley. Her graduate work in Europe includes an MA (Cum Laude) from the Katholieke Universiteit in Leuven, Belgium, History at the Universidad de Salamanca and in Business at ESADE in Barcelona.
“In her paintings Lorien Suárez-Kanerva evinces that post-Cubist heritage, and the Modernist – now neo- Modernist – principles that heritage inheres. Continually researching science and philosophy for further inspiration, Suárez-Kanerva displays – and reaffirms – the complex intellectual and spiritual motivations set forth in Modernist discourse, making her, as stated before, something of a Neo-Modernist and Reconstructivist. - Peter Frank of the Huffington Post “It’s Suárez’s artistic hand over canvas or paper, the painter’s sole imprint, that sets the conception of this ingenious imagery. The work merges two essential elements of visual plasticity appropriated from modernist aesthetics, a potent graphic line of defined contours that strongly delineate and give character to forms , and a chart of colors that desegregate and disseminate into rich tone values and hues . - Milagros Bello PH.D “When we get so close to an experience that we no longer know its name, it loses some of its fixed identity, and we lose some of ours. This magical transaction is at the heart of the paintings of Lorien Suárez-Kanerva. She focuses her attention on the forms of growing things, drawing so near that their essential natures begin to emerge clearly. - Art Critic John Mendelsohn