WIN $150 GIFT VOUCHERS: ALADDIN'S GOLD
Elise Paschen, an enrolled member of the Osage Nation, is the author of Tallcheif, The Nightlife, Bestiary, Infidelities (winner of the Nicholas Roerich Poetry Prize) and Houses: Coasts. As an undergraduate at Harvard, she received the Garrison Medal for poetry. She holds MPhil and DPhil degrees from Oxford University. Her poems have been published widely, including in Poetry magazine, the New Yorker, When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry and The Best American Poetry. She is the editor of The Eloquent Poem and has edited or coedited numerous other anthologies including the New York Times bestseller, Poetry Speaks. A cofounder of Poetry in Motion, Paschen teaches in the MFA Writing program at the School of the Art Institute of Chicago.
""'I have a name / 𐓻𐓘𐓻𐓟 𐓘𐓜𐓣́͘𐓟.' These are the final lines of 'Heritage,' a brilliant series of crowns that begins Elise Paschen’s remarkable Blood Wolf Moon. In poems both lyrical and conversational, both traditional and experimental, Paschen explores what it means to name one’s personal and tribal past while looking for the language to aptly articulate our present condition. A magical map of memory and vision, Blood Wolf Moon connects the poet to Oklahoma, Chicago, France, her children, her ancestors, the Osage language, the Wahzhazhe, and even Killers of the Flower Moon. Paschen’s poemschart the many paths to the poet’s identity, but they also illuminate our own journeys. Blood Wolf Moon is smart and sad and beautiful and haunting. I love this book. It is a revelation."" —Dean Rader, author of Self-Portrait as Wikipedia Entry ""Elise Paschen’s powerful new book of poetry, Blood Wolf Moon, is the culmination of investigating contradictory layers of familial and cultural heritage. The epigraph comes from an Osage song, 'To the door of the House of Mystery I have come,' such an appropriate invitation to this collection. The heritage of parentage is most potent in this living, however, in that configuration is the ongoing mystery the mother root provokes in daughters, especially when your mother belongs to the world, not just the domestic sphere. Paschen is always formally aware. In this endeavor, the formal weave embraces give, and she finds a taut freedom. She flies. This is her best book."" —Joy Harjo, former US Poet Laureate
