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Born and raised in a small town in Central Siberia at the time when the Soviet Union was falling apart, Artem Mozgovoy began his career as a cadet journalist in a local newspaper when he was sixteen; at twenty-six he was an editor-in-chief. In 2011, as Russia began legalizing its persecution of gay people, he left his homeland. Having lived in six different countries, including the US, and worked as a movie extra, a yoga instructor, and a magician's assistant, Artem today holds a Luxembourgish passport, speaks five languages and, with his Romanian partner, lives in Belgium.
A capacious work of vision, courage, and thoroughness, Spring in Siberia upholds the original promise of the novel: which is to contain all, protect nothing, and to shift perpetually in definition and scope. A work of earnest, grounded, and ultimately hopeful testimony of selfhood at the brink. --Poet, essayist, and novelist Ocean Vuong is the New York Times best-selling author of On Earth We're Briefly Gorgeous I read this and was very very impressed. It was touching and well written, genuinely compelling and convincing. --Writer, actor, and director Sir Stephen Fry is the author of, among many other international best-sellers, Troy, Mythos, and Heroes With Spring in Siberia, a new, heady Russian dish--sweet, sad, savage and resolutely gay--has been brought in triumph to the table of American writing. --International prizewinning author, John Clanchy There are writers who have talent, and there are writers who have fascinating stories to tell, and it's not all that often that the two, blessedly, meet. But in Artem Mozgovoy's Spring in Siberia they have indeed met--with a directness and clarity and acute sense of observation and of the childhood world around him that is as rare as it is invigorating. The story of an overly sensitive and creative child trying to thrive and survive in an adult world often impervious to his gifts is hardly a new one, but what Mozgovoy does in this moving and richly observed memoir is to shed new light on that age-old theme, as well as providing a kind of mini-history of the post-Gorbachev Russia and a deeply textured portrait of conflict-torn Siberian life. This is a wonderful book about a fascinating though troubled childhood by a deeply talented and original writer who had both the wits to survive it and the talent to transform it into art. It reaffirms my belief in both the healing power of literature and its ability to broaden the sympathies of all those who are fortunate enough to enter its domain. I admire it, and him, deeply. --Poet, novelist, essayist, and short story writer Michael Blumenthal is the former Director of Creative Writing at Harvard
