WIN $150 GIFT VOUCHERS: ALADDIN'S GOLD
Louis Timagne Houat was a French writer and physician. Originally from Bourbon Island, now known as La Runion, he was the author of the first novel in Runionese literature, Les Marrons, which he published in Paris in 1844. Aqiil Gopee is a Mauritian writer and poet with degrees in Religion from Amherst College and Harvard, where he also trained in archaeology. He has published numerous short stories and poems in Mauritius, France and the U.S., having won the 1st prize of prestigious Prix du Jeune crivain in 2023 for his short-story ""Insectarium,"" published by Buchet-Chastel (Paris). He reads classical Arabic, Attic Greek, Akkadian and Egyptian, and along with a first novel, he is currently working on a literary translation of the Qur'n. Jeffrey Diteman is a literary scholar and translator working in French, Spanish, and English. He has translated the writing of Pablo Martn Snchez, Raymond Queneau, and Amalial Posso Figueroa, and regularly translates journalism and children's literature. His academic research focuses on depictions of cross-cultural influence in narratives of extended kinship from Latin America. Shenaz Patel is a journalist and writer from the island of Mauritius, in the Indian Ocean. As a journalist, she has been a Reuter fellow and worked as editor in chief of a political newspaper before setting up the arts, culture and society section of Week End, a leading Mauritian weekly newspaper. Patel is the author of four novels, including Le silence des Chagos published in France by Editions de l'Olivier-Le Seuil and in English by Restless Books as The Silence of the Chagos (2019). She has written numerous short stories in French and Mauritian Creole as well as five graphic novels, two plays, and translations. Patel was an International Writers Program (IWP) Honorary Fellow in the U.S. in 2016, a fellow at the Hutchins Centre-W.E.B du Bois Institute at Harvard University for the Spring semester 2018, and acted as mentor for the Young Women Writers Mentorship Programme of the IWP in 2019. Patel staged a production of Niamain in 2019 (the story of an African princess enslaved in the 18th century). She is currently working on a novel based on the stories of women who have fought for freedom at different levels. She is also working on a documentary film related to the quest of identity through DNA testing. Lisa Ducasse is a spoken word artist, singer, and translator from Mauritius, now living in Paris. She released her first poetry collection, Midnight Sunburn, in April 2017, and her first EP, Louvoie, in September 2018. She writes in French and in English, her two native languages, and her work mostly stems from and builds around the sometimes lived, sometimes imagined life of a traveler and the various homes one finds through encounters, moments, and in places all around the world. She specializes in translation for the screen and the translation of contemporary poetry.
"“As I read this first contemporary account of the dark and brutal beginnings of our islands’ history, I felt heart-broken, not only to be so vividly reminded of the inhuman savagery with which the enslaved were treated, but also for the author’s vain hope of an egalitarian society soon to be born. Nearly two centuries later, can his protagonists’ dream of becoming 'the masters of their own bodies' be said to have come true? I do not think so: the times of barbarity are not over. Reading the last pages, I saw the ashes of the past still smouldering all about me.” —Ananda Devi, author of Eve Out of Her Ruins “All that is born of the arts and humanities worth its weight poses an inquiry that we must keep returning to even as it risks our discomfort. The Maroons is one such piece—birthed from its own tangled web of silence and suppression, yet shining light on the realities of the African diaspora outside of our familiar geographic and historical scope. The questions it demanded that we sit with well over a century ago still hold within this current environment: What does freedom cost? And is true emancipation when one is willing to risk one's own freedom and life to free others? Faced with every master that goes by different names in our modern world, from the institutional to capitalistic, we must ask ourselves: Which side of the equation do we want to be on, as we think about how to respond as ""the masters' abuses escalate""?“ —Shanta Lee, author of This is How They Teach You How to Want It...The Slaughter and Black Metamorphoses"
