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Richard Boch is a writer, artist and lifelong New Yorker. He was born in Brooklyn, grew up on Long Island and studied printmaking and painting at The University of Connecticut and Parsons New School for Design. Boch moved to NYC in 1976 after finding an apartment on Bleecker Street in Greenwich Village. Already obsessed with the music coming out of CBGB as well as the downtown art and club scene, he was more than eager to be part of it. In early 1979, after a move to the neighborhood known as Tribeca, Boch was offered a job at a recently opened club on a deserted stretch White Street. It was a life changing experience as detailed in his book The Mudd Club. In November 2015 Boch served on the host committee of the Mudd Club Rummage Sale Benefitting the Bowery Mission, the first Mudd-related event in over thirty years. The New York Times referred to Boch as making ""live or die decisions"" as the club's ""longtime alpha doorman."" Boch was interviewed and quoted at length for High On Rebellion, the story of Max's Kansas City by Yvonne Sewall Ruskin, New York in The 70s by Allan Tannenbaum, Edgewise: A Picture of Cookie Mueller by Chloe Griffin, This Must Be The Place by Jesse Rifkin and Life and Death on the New York Dance Floor by Tim Lawrence. In addition, Boch has contributed to Tannenbaum's Grit and Glamour and Bobby Grossman's Low Fidelity: Downtown New York 1975 - 1985. Exhibitions of his visual work include a group show at McDaris Fine Art, a suite of multimedia prints titled A Throwback Thrown Forward at CR10 and a series of ""Page Paintings"" as part of No Wave Heroes exhibit. Richard Boch's Mudd Club archive is part of the permanent collection of HOWL Arts where he has been involved in several projects and presentations. Boch continues to write and paint in his Upstate NY studio where he is working on his next book. His ""New York Stories"" column, including interviews and articles covering the cultural history of NYC nightlife, appears regularly in Grandlife.com.
“As Mr. Boch describes in short, vivid, diarylike entries, the clubgoers danced, drank, snorted coke, watched live rock bands and held theme parties like the Puberty Ball in an anything-goes environment that seems impossible to recreate today.” — Steven Kurutz, NYTimes “A jaw dropping, deranged must-have. Boch’s The Mudd Club is a visual and literary orgy of delight, packed full of striking images and tales of glory and excess from the late 70s/early 80s nightclub where he was the kingpin doorman and communed with the good, the bad, the deviant of popular culture.” — Paul Gorman / paulgormanis.com ""As the gatekeeper of the Mudd Club, Richard Boch now opens the gates of memory to lift the curtain on a magical time in downtown Manhattan, after-hours with a passion, and a cast of characters that seem fantastical even as you leave the club blinking in the morning sun."" —Lenny Kaye ""More than the well-known doorman of the Mudd Club, Richard Boch played a pivotal role in why it was the coolest club in the world back then. Richard was the crowd curator, carefully letting in the right mix of wildly creative downtown movers and shakers who made it our hangout, leaving the squares and the unhip outside in the cold. Richard is now letting everyone into the Mudd Club by way of this well written book that details the who’s who and all the fun we had while infiltrating, changing and disrupting pop culture."" — Fab 5 Freddy “The Mudd Club was the Brigadoon of the late ’70s New York City scene. It appeared out of the mists or, in this case, the then-nearly abandoned steam-filled streets of Manhattan below Canal Street, entertained us all mightily for a few years, and then vanished, almost never to be heard from again. Until now.” — Paul LaRosa, NY Journal of Books
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