When the Hibiscus Falls

"Oprah Daily, “Books We Can’t Wait to Read in 2023” TODAY, “Books We Can’t Wait to Read in 2023” Ms. Magazine, “Most Anticipated Books of 2023” “Galang’s masterly latest takes on xenophobia, racism, and other ills via stories of strong Filipino women. . . . What makes these stories so powerful and poignant are the inner lives of the characters, a complex blend of nostalgia, desire for assimilation, and defiance. This is a winner.” —Publishers Weekly, starred review “Galang’s stories are of the Filipino American diaspora and generations of women who experience freedoms, grief, and community in a new land."" —Oprah Daily “Centering the lives of Filipino American women in seventeen stories, Galanga explores the complexities of ancestry, identity, and community, resulting in a collection that honors the deep connections that exist between descendants and ancestors.” —Lupita Aquino, TODAY “Galang’s short stories brim with family members—lolas and lolos, ates and kuyas, people whose care can be suffocating or revelatory as each generation confronts what Filipino American identity means to them. . . . A portrait of how complicated it is to face the history you inherit.” —Kirkus “This radiant, fearless collection has it all: laughter and heartache, family drama, and history sung in the voices too often missing from the official record. M. Evelina Galang dances from ancestral myth to imaginary futures with a sure-footed grace, and her luminous characters—whether in Manila or Miami, the Midwest or beyond—urge us all to rediscover where we come from and what matters in the end.” —Mia Alvar “The descriptions in M. Evelina Galang’s When the Hibiscus Falls never fail. Whether rendering the slightest touch between hands or the raw energy of a hurricane, Galang’s language is in high form. I do not speak Tagalog, but the rhythm of the language is so present here that I believe now and again while reading that I do. These are wonderful stories of families and place and politics.” —Percival Everett “Long esteemed as a writers’ writer, Evelina Galang recognizes the unity between this world and the next, grounding her vision in the intimate language of Filipino family and community. Her radical social and aesthetic commitments are reflected in the authority of her characters’ perspectives, centering a blended reality: here/there, home/history, dreams of connection and of liberation.” —Sarah Schulman “M. Evelina Galang’s stories are pioneering, lyrical, and full of life. She is interested in the diaphanous curtains among past, present, and future, and narrates with great vocal daring. This is a wonderful and important collection.” —Lorrie Moore “A collection of rare and fierce beauty examining generational and contemporary diasporic life. The characters embody history, myth, and homeland—lost and imagined—and will break your heart.” —Marie Myung-Ok Lee “Beautiful and often heartbreaking, the stories [in When the Hibiscus Falls] take us on the gentle and rhythmic wind of Galang’s language into villages and cities in the Philippines, into forests and urban spaces, into cities like Chicago and Miami, and suburban communities we only think we know. We pass through different times, the eighties, the nineties, the COVID-19 quarantine, and we swirl in and out of realities and the lives of people we come to care about. The stories have enough magic to bring us to the feet of ancient winds and deities and into imaginary realms. They are a reflection not only of who we are and have been, but who we can become. A stunning collection.” —Daniel Chacón “M. Evelina Galang’s When the Hibiscus Falls had me marveling at the stories of American-born Filipina/o/xs and their heartfelt attempts and adventures to remain in touch with homeland cultures rooted in the more than seven thousand islands of the Philippines. Those roots have grown, mycelium-like, and have traveled across oceans and borders to touch the bodies, hearts, and souls of these characters. The stories remind me of the adamantine characteristics of Kapwa and other Filipino indigenous values and practices. Kapwa—this Filipino value of ‘the self is in the other’—in these stories assures me that we can always depend on the strength and solidity of the ground and roots that gave birth to the Filipina sense of Being.” —Leny Mendoza Strobel “In the stories of When the Hibiscus Falls, time, place, and characters haunt each other. Filipinos immigrate to America but in a way never leave the Philippines or their family; comfort women and World War II, colonization and indigenous culture, political unrest and the recent pandemic, seemingly so distinct and distant, can instantly merge in a moment of recognition; and the characters, both Filipino and Filipino American, suddenly face connections and families they cannot abandon, as much as they wish. M. Evelina Galang creates here a community, a world, and a world literature. Read and be amazed.” —David Mura “Evelina Galang’s stories take us on poignant diasporic journeys, not just in and out of different countries, but through generations . . . because leaving home and coming home happen over and over, for good and bad, long after the plane has landed or the boat has docked. One journey can ripple through family for eternity. These stories are brave and real and full of heart.” —Achy Obejas Selected praise for M. Evelina Galang: “Lolas’ House is the last stand of women who survived the kidnapping and rape that was Japanese army strategy in World War II. Courageous, aged grandmothers tell their stories and show their wounded bodies to M. Evelina Galang as evidence that these crimes occurred.” —Maxine Hong Kingston “Lola’s House is an unprecedented work of testimony and witness.” —Asian American Writer’s Workshop “The strength, courage and perseverance of these women is, truthfully, sort of life changing. Crimes against women are still under-reported and often go unrecognized. . . . This is a book that shines a light in a dark place.” —Book Riot “A raw and scathing exploration of the challenges faced by immigrant adolescents.” —World Literature Today “[Angel’s] intimate storytelling style will appeal to teenage readers and adults. Galang draws us into a foreign world with beautifully rendered sketches . . . But despite such poetic descriptions, Angel is an authentic teen, who texts her friends and likes to bang on drums, just like her musician father.” —Miami Herald “Stirring debut collection of stories. . . . All are told in an elegant, mesmerizing style. . . . The brief, chantlike monologues that frame the collection are as lyrical as prayers.” —The New York Times Book Review “An honest and insightful look at the experiences of Filipina American women who ‘grew up hearing two languages.’ . . . A meaningful contribution to the growing chorus of Asian American voices.” —Ms. Magazine"