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Lucille Clifton was born in Depew, New York in 1936, and educated at Howard University and the State University of New York at Fredonia. Known for her poetry, she was awarded two fellowships from the National Endowment for the Arts and served as the Maryland Poet Laureate from 1974-1985. A Distinguished Professor of Humanities at St. Mary's College of Maryland and a professor of English at Duke University, she has authored thirteen collections of poetry, numerous children's books, and her memoir, Generations. Clifton's work has been recognized with the Juniper Prize for Poetry, an Emmy Award, and two nominations for the Pulitzer Prize in Poetry. Her collection Blessing the Boats: New and Selected, Poems 1988-2000 won the National Book Award and the 2007 Ruth Lilly Poetry Prize, of which she was the first Black female recipient. Ross Gay is the author of four books of poetry:Against Which;Bringing the Shovel Down; Be Holding, winner of the PEN American Literary Jean Stein Award;andCatalog of Unabashed Gratitude,winner of the 2015 National Book Critics Circle Award and the 2016Kingsley Tufts Poetry Award. His first collection of essays, The Book of Delights, was released in 2019 and was a New York Times bestseller. His new collection of essays, Inciting Joy, will be released by Algonquin in October of 2022. Sidney Cliftonis an Emmy-nominated producer with over twenty years of experience as an executive producer and development executive of animated and live-action content across multiple platforms.Her passion for developing and supporting the underserved community of writers, artists, storytellers and creators was the catalyst for her launching The Clifton House; a writer's and artist's workshop and retreat space centered at her childhood home in Baltimore Maryland-the home she shared with her five siblings and parents, educator/activist Fred J. Clifton and National Book Award winning poet and author Lucille Clifton. Sidney currently serves as Jim Henson's Senior Vice President of Animation and Mixed Media and as Senior Consultant with Black Women Animate in Los Angeles.
Praise for The Book of Light ""One of the most celebrated and beloved voices in poetry, Clifton brings to vivid life the intersections of the sacred and the secular ('between starshine and clay') and the everyday and the extraordinary with her trademark simplicity and precision. . . . This essential edition is an excellent reminder of the poet’s inimitable gifts.""—Publishers Weekly, STARRED REVIEW ""Lucille Clifton is one of the most beloved poets of the 20th century, and this gorgeous new anniversary edition of her 1992 collection The Book of Light comes with an introduction by Ross Gay and an afterward by her daughter Sidney Clifton. Gay’s introduction is ebullient and joyful, perfectly framing Clifton’s poems of struggle, celebration, Black womanhood, small everyday joys, and overwhelming grief. Her words are as powerful today as they were 30 years ago.""—Book Riot ""The Book of Light showed us, her daughters, and now you, the reader, the power of navigating our innermost doubts and fears out loud, naked with bravery and boldness. Lucille Clifton’s vulnerability is her power.'"" —Real Change Praise for Lucille Clifton “[Lucille Clifton] is a passionate, mercurial writer, by turns angry, prophetic, compassionate, shrewd, sensuous, vulnerable, and funny.”—The New York Times Book Review “Clifton’s poems are witty, conversational, and self-reflexive.”—Dean Rader, Los Angeles Review of Books “Clifton’s poems are profound and powerful to behold.”—Publishers Weekly “If you like poetry, a poem by Lucille Clifton will eventually track you down. It will stand behind you tapping its foot until you turn around. Twice your height, the poem will fold its arms across its chest and tell you to wipe that silly look off your face and listen up. You will listen up....When you look at the poem, really look at it, you realize that here is a poem that will run into a burning building for you, throw you over its shoulder, and walk you out into cool air.”—City Paper “The work of a minimalist artist like Clifton makes empty space resonate....Clifton...defines herself without raising her voice.”—American Poetry Review
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