Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Cache.
Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinema du look', representations of sexuality, comedies, the work of women film makers and le jeune cinema. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. -- .
By:
Guy Austin
Other:
Bethan Hirst
Imprint: Manchester University Press
Country of Publication: United Kingdom
Edition: 2nd edition
Dimensions:
Height: 234mm,
Width: 156mm,
Spine: 14mm
Weight: 376g
ISBN: 9780719078293
ISBN 10: 0719078296
Pages: 264
Publication Date: 01 December 2008
Audience:
College/higher education
,
A / AS level
Format: Paperback
Publisher's Status: Active
List of illustrations Preface Acknowledgements 1 French cinema from 1895 to 1968, a brief survey 2 Holocaust documentary, the war film and national identity 3 Representations of sexuality 4 Women film-makers in France 5 The 'polar' 6 The 'cinéma du look' and fantasy film 7 The heritage film 8 Comedy 9 'Le jeune cinema' and the new realism Filmography Index -- .
Guy Austin is Reader in French at the University of Sheffield
Reviews for Contemporary French Cinema: An Introduction (Revised Edition)
“Crisp, up-to-date and well-informed, Guy Austin's book traces cinematic attitudes to national identity, sexuality, the changing 'polar' (thriller) and heritage ... A novelty is his treatment of the 'cinéma du look', comprised by the films of Jean-Jacques Beineix, Luc Besson and Léos Carax, contextualised here by writings from French critics."" --""Sight and Sound"" (on the first edition) ""Crisp, up-to-date and well-informed, Guy Austin's book traces cinematic attitudes to national identity, sexuality, the changing 'polar' (thriller) and heritage ... A novelty is his treatment of the 'cinema du look', comprised by the films of Jean-Jacques Beineix, Luc Besson and Leos Carax, contextualised here by writings from French critics."" --""Sight and Sound"" (on the first edition)
