The Origins of Monsters: Image and Cognition in the First Age of Mechanical Reproduction

— —

David Wengrow

The Origins of Monsters

Image and Cognition in the First Age of Mechanical Reproduction

David Wengrow

$69.99

Paperback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Princeton University Press
28 April 2020

History of art: pre-history; History of art: ancient & classical art; Ancient history: to c 500 CE; Social & cultural history

Series: The Rostovtzeff Lectures

"It has often been claimed that ""monsters""--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. The Origins of Monsters advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that ""monsters"" became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between mind and culture.

Wengrow asks: Can cognitive science explain the potency of such images? Does evolutionary psychology hold a key to understanding the transmission of symbols? How is our making and perception of images influenced by institutions and technologies? Wengrow considers the work of art in the first age of mechanical reproduction, which he locates in the Middle East, where urban life began. Comparing the development and spread of fantastic imagery across a range of prehistoric and ancient societies, including Mesopotamia, Egypt, Greece, and China, he explores how the visual imagination has been shaped by a complex mixture of historical and universal factors.

Examining the reasons behind the dissemination of monstrous imagery in ancient states and empires, The Origins of Monsters sheds light on the relationship between culture and cognition."

By: David Wengrow
Imprint: Princeton University Press
Country of Publication: United States
Dimensions: Height: 254mm, Width: 178mm,
ISBN: 9780691202396
ISBN 10: 0691202397
Series: The Rostovtzeff Lectures
Pages: 184
Publication Date: 28 April 2020
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Paperback
Publisher's Status: Active

David Wengrow is professor of comparative archaeology at University College London. His books include The Archaeology of Early Egypt and What Makes Civilization?

Reviews for The Origins of Monsters: Image and Cognition in the First Age of Mechanical Reproduction

Few archaeologists would venture into as many regions or across as many disciplinary boundaries as David Wengrow does in his eloquent and ambition analysis. ---Christina Riggs, Times Literary Supplement The Origins of Monsters is a fascinating exposition of the archaeology of the ancient world as a topic that has current resonance. Well written and presented, wonderfully informed and confident, it is well placed to achieve Wengrow's worthy ambition to start a particular dialogue between disciplinary approaches to the topic of monsters. ---Michael Punt, Leonardo Reviews