K. E. Fleming . . . raises significant questions about the dynamic complexity of cultural representation. [She] invites the critical rethinking of a number of crucial notions such as hegemony, power, and history. --Liana H. Theodoratou, New York University K. E. Fleming shows that the cultural representation of Ali Pasha by the West was not simply nor mainly a way of dominating him. It was also a process by which Ali Pasha was able to limit that domination, and, for a time, even turn it around. An interesting and sound undertaking. --Traian Stoianovich, Rutgers University