SuperCollider for the Creative Musician: A Practical Guide

— —

Eli Fieldsteel (Assistant Professor of Music Composition-Theory, Assistant Professor of Music Composition-Theory, University of Illinois)

SuperCollider for the Creative Musician

A Practical Guide

Eli Fieldsteel (Assistant Professor of Music Composition-Theory, Assistant Professor of Music Composition-Theory, University of Illinois)

$66.95

Paperback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Oxford University Press Inc
13 April 2024

Electronic music; Electronic musical instruments

Series: Creating Technology for Music

SuperCollider, an open-source, cross-platform software program for real-time sound synthesis and algorithmic composition, was created by James McCartney in 1996 and has evolved to become a powerful tool for music composition and research. Written by composer and sound artist Eli Fieldsteel, who has almost two decades' experience of using SuperCollider for a variety of creative audio projects, SuperCollider for the Creative Musician is a comprehensive tutorial and reference guide for students, composers, and practitioners seeking a structured educational tour through this unique and flexible software.

The book begins with platform-specific fundamentals, explores a large family of creative techniques, and then guides the reader through the nuances of assembling, navigating, and performing large-scale projects. Key topics include synthesis, sampling, sequencing, signal processing, external control, and graphical user interface design. Written with both beginners and intermediate practitioners in mind, this book is an invaluable resource for sound creators whose background falls anywhere on the spectrum between musician and computer programmer, and who seek to add new and innovative code-based techniques to their skill set. The companion website has an extensive collection of detailed code examples, which can be downloaded for exploration, experimentation, and hands-on learning.

By: Eli Fieldsteel (Assistant Professor of Music Composition-Theory Assistant Professor of Music Composition-Theory University of Illinois)
Imprint: Oxford University Press Inc
Country of Publication: United States
Dimensions: Height: 279mm, Width: 217mm, Spine: 18mm
Weight: 853g
ISBN: 9780197617007
ISBN 10: 019761700X
Series: Creating Technology for Music
Pages: 344
Publication Date: 13 April 2024
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

Eli Fieldsteel is a composer and sound artist specializing in electro-acoustic music and audio programming. His work combines music technology with performance practices, focusing on human-computer improvisation, interactivity, and sensor-driven music. He has collaborated with dancers, choreographers, lighting designers, architects, and video artists, resulting in a variety of unique instruments, works, and site-specific installations. Eli holds a DMA in Music Composition from The University of Texas at Austin, as well as music degrees from The University of North Texas and Brown University. He is currently Associate Professor and Director of the Experimental Music Studios at the University of Illinois.